Book signing

Will, Bobb, Barbara, Edgar, Bill, Lynne, Libby, Jim, Ian, Mary, Bob, Ray, Glenn, Joan, Andy

We are now in that limbo, film-festwise, between the noir season (yes, I do literally have the t-shirt) and the glorious prospect of Cinecon.
While Bob becomes more taciturn than ever at the prospect of being buttonholed for free tickets, we punters can look back on a noir season that was more eccentric than ever. But it was so successful that plans are afoot to stage two seasons a year. Presumably that means that the definition of 'film noir' will be stretched even further than it was this time in an effort to fill screen space. About all that linked the latest crop was that they were in monochrome, although the last night was possibly fit to stand comparison with any: a Paul Stewart double bill of Walk Softly, Stranger and Chicago Syndicate. In the first Stewart supports Joseph Cotten as a thinking thief whose perfect crime is foiled by the Stewart character's, well, character weakness.
One idea for future noir seasons: a feature of that era is that nearly everyone smokes, so why not get a license to let the audience smoke. Then we'd seen the films through the sort of haze the directors go to such lengths to create.
Lynne, Ian and I were still feeling the after-effects of a visit to the Academy last Friday to see Fellini 8-1/2 (clever chap that Fellini: no one talks about Lean's Lawrence of Arabia or Hitchcock's Psycho as if they were the titles of those films).
We watched it in true Fellini style. After a mishap (leaving my keys in the car door) I got separated from the other two and consequently saw what seems to have been an entirely different movie. They nearly walked out. I thought it was about 40 minutes too long, but enjoyed seeing which bits every other director had subsequently pinched. I'm sure Danny Boyle (Susan's secret son?) is indebted to Fellini for having the Slumdog boy drop into the latrine. It seems Fellini-ish somehow, just as every other line in Hamlet is now a cliche.
Slipping back to old technology, our gathering is turning out to be extraordinarily fecund, if Jim will pardon the lack of pun. First there was his definitive account of Angel's Flight, set to be a smash hit if only they'll get the tiny railroad running again. Now he has followed that with Motherfucker, another tome after which there is nothing left to say.
Meanwhile, Ian struggles with the production and design difficulties of giving his collection of Lotusland musings the literary environment they so richly deserve. Our very own James Joyce seems determined to turn Altadena into Dublin with himself as Leopold Bloom. Rollo is on his guard. It will, I'm sure, be the toast of LA well before my maiden attempt at fiction bursts on the west coast literary scene. But that's another story for another Monday night.

CAUGHT ON THE BREEZE
I don't think I'm going to risk Fellini again
This book is my last gasp
The back of my legs still hurt from all that walking
Susan Boyle should be banned